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Geniuses on a Pedestal? 5 Proofs That Famous Painters Were Actually Just Like Us

  • Writer: Ljuba Ananina
    Ljuba Ananina
  • 3 days ago
  • 3 min read

When we walk through the quiet halls of world galleries and gaze at canvases of immeasurable value, it is easy to get the feeling that they were created by some untouchable, demigod-like beings. We learn about them in schools, thick books are written about them, and we pronounce their names with sacred reverence.


But try to forget their legendary status for a moment. When we look into their everyday lives, we discover something incredibly liberating: these giants were actually completely ordinary people. They had their quirks, struggled with procrastination, hated their jobs, craved attention, and sometimes simply lost their temper.


Here are five proofs that even the greatest artists in history dealt with entirely human problems.


1. Da Vinci and the Art of Procrastination


You know that feeling when you have an unfinished project, the deadline is fast approaching, but you just can't bring yourself to finish it? Leonardo da Vinci would completely understand. Even though he is considered one of the greatest geniuses of humanity, he was a textbook procrastinator. He painted his most famous work, the Mona Lisa, on and off for about 16 years. He even carried it with him every time he moved and never handed it over to the original client because he constantly felt that it was "not finished yet." So, if you have an unfinished task sitting at home for months, don't worry about it—you are in the exact same boat as Leonardo.


"With Dionysian playfulness" oil painting by artist Ljuba Ananina
"With Dionysian playfulness" oil painting by artist Ljuba Ananina

2. Michelangelo, a Terrible Boss, and Sweet Revenge at Work


Almost everyone has experienced a job they hated from the bottom of their soul. For Michelangelo, paradoxically, it was the fresco that made him the most famous—the ceiling of the Sistine Chapel. Michelangelo primarily considered himself a sculptor. Painting in an unnatural position with paint dripping into his eyes destroyed him so much that he even complained about it in a sarcastic poem.

And what about when an annoying critic infuriates you at work? When the Pope's official Biagio da Cesena harshly criticized his The Last Judgment for excessive nudity, Michelangelo did what every angry employee dreams of: he took masterful revenge. He painted the official right into the picture as the ruler of hell, adding donkey ears and a snake biting him in his intimate parts. And his boss (the Pope) didn't stand up for the official, so he is still hanging there today.


3. Dalí and the Desperate Need to Impress


Who among us hasn't tried to look more interesting to others than they actually are? Salvador Dalí took this human trait to the extreme. He fundamentally loved attention. He walked a giant anteater on a gold leash around Paris, and he arrived at a London exhibition in a heavy deep-sea diving suit to show how he was "diving into the human subconscious." The fact that his air supply got stuck and he almost suffocated while people clapped, thinking it was part of a performance, is just a comical endpoint to his human vanity.


"The Hero of our time" oil painting by artist Ljuba Ananina
"The Hero of our time" oil painting by artist Ljuba Ananina

4. Picasso and Nerves on Edge


Has anyone ever asked you a question so stupid that you wanted to scream? Pablo Picasso handled this with hot Spanish blood. Constant questions like "And what did the author mean by this abstract shape?" drove him crazy. That's why he often carried a revolver with him. It wasn't loaded with live ammunition, only blanks, but when someone really ticked him off with a stupid question about the meaning of his art, Picasso would shoot into the air without hesitation to silence the questioner. Radical? Yes. Humanly understandable? Absolutely.


5. Van Gogh and the Search for a Little Happiness


Freelance life can be tough. Vincent van Gogh sold only a single painting in his lifetime (and that was just before his death). He was simply an unsuccessful freelancer who struggled with self-doubt and severe depression. The way he looked for happiness was almost childishly naive and painfully human. He supposedly ate yellow paint straight from the tube because he believed that getting that bright and cheerful color of the sun inside him would brighten his soul and improve his mood.


Next time you look at a famous piece of art, or when you are creating something yourself and struggling with the feeling that you are not good enough, remember these stories. Creation does not require perfection. Art history was not written by flawless robots, but by people who procrastinated, threw tantrums, craved recognition, and battled their demons. They were just like us—and perhaps that is exactly why they managed to create works that still speak to us centuries later.

 
 
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